- #Seven smokey and the bandit movies movie
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If you think the Bandit’s Pontiac Trans Am doesn’t sound like…well…a Trans Am, you’re not mistaken. While on the set, when he wanted a drink, he would tell his assistant to get him a “hamburger”. A case could be made for several locations.Jackie Gleason was known for his love of scotch. Other Douglas County sites have long been rumored to be part of Smokey and the Bandit, including the Old Seven Flags Speedway, strips of Highway 166, and several other spots.
#Seven smokey and the bandit movies series
Specifically, a strip of interstate heading down I-20, West of Highway 5, was used for an important series of chase scenes by the Bandit.
Not to be left out of the equation, Douglas County was used for filming.
#Seven smokey and the bandit movies movie
But truthfully, the state of Georgia, which is also legitimately part of the movie plot, was indeed a large contributor to the setting and tone of this beloved film franchise. Many southern towns proudly lay some sort of claim to being part of Smokey and the Bandit trilogy. Maybe this is because the filmmakers did such a great job of filming locations that were perfectly reminiscent of so many other southern towns. In fact, so many classic Southern settings were used for Smokey and the Bandit, that rampant rumors and claims about filming locations have become as much a part of the folklore of Bandit as the movie itself. Perhaps one of the reasons why Smokey and the Bandit was so successful in gaining the iconic status that the franchise attained was the fact that much of the movie was filmed in and around Southern towns, along Southern sections of Interstates and Highways, on small-town county roads, over bridges, and all around other vintage southern settings and landmarks. Rural Georgia and Douglas County’s Role in Smokey and the Bandit And quite frankly, it’s hard to imagine a world without Burt Reynolds and Jerry Reed making their immortal, cross-country beer run, picking up hitchhikers, dodging incompetent cops, and teaching us what heading “East Bound and Down” was really all about. Bandit was a fun-time, seat-of-the-pants snapshot-of-Dixieland in the American 1970s. Not necessarily in the Mona Lisa sense of artistry, but in the “Velvet Elvis” sense of classic, Southern, art. The Bandit trilogy was much more than an introduction to the on-screen, high-friction, intense chemistry between Sally Field and Burt Reynolds, it was a Southern work of cinematic art. Jerry Reed’s numerous contributions to the film’s tone, including the famous theme song (Eastbound and Down), and his spot-on performance as “Snowman,” Burt Reynold’s Truck-Driving cohort, add volumes to the throwback look, feel, sound, and portrayal of a very embraceable southern theme: lovable rebels vs. Instead, it’s a throwback to the stories of a younger, red-blooded, pedal-to-the-metal living that many local southern folk either lived, or heard about throughout the 20th century. The fist Bandit film, followed by two more, are not embarrassing to Southern folk, especially not to Smokey fans.
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If Coors truly is “The Banquet Beer,” as their slogan suggests, then Smokey and the Bandit was the Beer Company’s chariot ride into the hearts and imaginations of countless Americans, especially fun-loving Americans in the South.Īdmittedly, Smokey and the Bandit is full of classic southern stereotypes, but this doesn’t seem to bother Southerners one bit. Perhaps more importantly, it reminded us all that it was possible to have the time of your life, while engaging in some spontaneous bootlegging. Smokey and the Bandit is one of those masterpieces of American Cinematography that reminds us of everything that we used to love about a fun, good, and entertaining night at the movies. Music by: Jerry Reed & Bill Justis Red-Blooded, Southern Cinema Starring: Burt Reynolds, Sally Field, Jerry Reed, Jackie Gleasonĭirector: Hal Needham (Directorial Debut)
Smokey and the Bandit, Universal Pictures
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